Jerry Lee Lewis, outrageous rock ‘n’ roll star, dies at 87

Over the following decades, Lewis struggled with drug and alcohol abuse, legal disputes and physical illness. Two of his many marriages ended in his wife’s early death. Brown herself divorced him in the early 1970s and would later allege physical and mental cruelty that nearly drove her to suicide.

“If I was still married to Jerry, I’d probably be dead by now,” she told People magazine in 1989.

Lewis reinvented himself as a country performer in the 1960s, and the music industry eventually forgave him, long after he stopped having hits. He won three Grammys, and recorded with some of the industry’s greatest stars. In 2006, Lewis came out with Last Man Standing, featuring Mick Jagger, Bruce Springsteen, B.B. King and George Jones. In 2010, Lewis brought in Jagger, Keith Richards, Sheryl Crow, Tim McGraw and others for the album Mean Old Man.

In The Rolling Stone Illustrated History of Rock & Roll, first published in 1975, he recalled how he convinced disc jockeys to give him a second chance.

“This time I said, ‘Look, man, let’s get together and draw a line on this stuff – a peace treaty you know,’” he explained. Lewis would still play the old hits on stage, but on the radio he would sing country.

Lewis had a run of top 10 country hits between 1967-70, and hardly mellowed at all. He performed drinking songs such as What’s Made Milwaukee Famous (Has Made a Loser Out of Me), the roving eye confessions of She Still Comes Around and a dry-eyed cover of a classic ballad of abandonment, She Even Woke Me Up to Say Goodbye. He had remained popular in Europe and a 1964 album, Live at the Star Club, Hamburg, is widely regarded as one of the greatest concert records.

A 1973 performance proved more troublesome: Lewis sang for the Grand Ole Opry and broke two longstanding rules – no swearing and no non-country songs.

“I am a rock and rollin’, country-and-western, rhythm and blues-singin’ motherf-----,” he told the audience.

Lewis married seven times, and was rarely far from trouble or death. His fourth wife, Jaren Elizabeth Gunn Pate, drowned in a swimming pool in 1982 while suing for divorce. His fifth wife, Shawn Stephens, 23 years his junior, died of an apparent drug overdose in 1983. Within a year, Lewis had married Kerrie McCarver, then 21. She filed for divorce in 1986, accusing him of physical abuse and infidelity. He countersued, but both petitions eventually were dropped. They finally divorced in 2005 after several years of separation. The couple had one child, Jerry Lee III.

Another son by a previous marriage, Steve Allen Lewis, 3, drowned in a swimming pool in 1962, and son Jerry Lee jnr died in a traffic accident at 19 in 1973. Lewis also had two daughters, Phoebe and Lori Leigh, and is survived by his wife Judith.

His finances were also chaotic. Lewis made millions, but he liked his money in cash and ended up owing hundreds of thousands of dollars to the Internal Revenue Service. When he began welcoming tourists in 1994 to his longtime residence near Nesbit, Mississippi – complete with a piano-shaped swimming pool – he set up a 900 phone number fans could call for a recorded message at $US2.75 a minute.

The son of one-time bootlegger Elmo Lewis and the cousin of TV evangelist Jimmy Swaggart and country star Mickey Gilley, Lewis was born in Ferriday, Louisiana. As a boy, he first learned to play guitar, but found the instrument too confining and longed for an instrument that only the rich people in his town could afford – a piano. His life changed when his father pulled up in his truck one day and presented him a dark-wood, upright piano.

“My eyes almost fell out of my head,” Lewis recalled in Jerry Lee Lewis: His Own Story, written by Rick Bragg and published in 2014.

He took to the piano immediately, and began sneaking off to Black juke joints and absorbing everything from gospel to boogie-woogie. Conflicted early on between secular and sacred music, he quit school at 16, with plans of becoming a piano-playing preacher. Lewis briefly attended Southwestern Assemblies of God University in Waxahachie, Texas, a fundamentalist Bible college, but was expelled, reportedly, for playing the “wrong” kind of music.

Great Balls of Fire, a sexualised take on Biblical imagery that Lewis initially refused to record, and Whole Lotta Shakin’ were his most enduring songs and performance pieces. Lewis had only a handful of other pop hits, including High School Confidential and Breathless, but they were enough to ensure his place as a rock ‘n’ roll architect.

“No group, be it (the) Beatles, Dylan or Stones, have ever improved on Whole Lotta Shakin’ for my money,” John Lennon would tell Rolling Stone in 1970.

A roadhouse veteran by his early 20s, Lewis took off for Memphis in 1956 and showed up at the studios of Sun Records, the musical home of Elvis, Carl Perkins and Johnny Cash. Told by company founder Sam Phillips to go learn some rock ‘n roll, Lewis returned and soon hurried off Whole Lotta Shakin’ in a single take.

“I knew it was a hit when I cut it,” he later said. “Sam Phillips thought it was gonna be too risque, it couldn’t make it. If that’s risque, well, I’m sorry.”

In 1986, along with Elvis, Chuck Berry and others, he made the inaugural class of inductees for the Rock & Roll Hall of Fame and joined the Country Hall of Fame this year. The Killer not only outlasted his contemporaries but saw his life and music periodically reintroduced to younger fans, including the 1989 biopic Great Balls of Fire, starring Dennis Quaid, and Ethan Coen’s 2022 documentary Trouble in Mind. A 2010 Broadway music, Million Dollar Quartet, was inspired by a recording session that featured Lewis, Elvis, Perkins and Cash.

He won a Grammy in 1987 as part of an interview album that was cited for best spoken word recording, and he received a lifetime achievement Grammy in 2005. The following year, Whole Lotta Shakin’ was selected for the Library of Congress’ National Recording Registry, whose board praised the “propulsive boogie piano that was perfectly complemented by the drive of J.M. Van Eaton’s energetic drumming. The listeners to the recording, like Lewis himself, had a hard time remaining seated during the performance.”

A classmate at Bible school, Pearry Green, remembered meeting Lewis years later and asking if he was still playing the devil’s music.

“Yes, I am,” Lewis answered. “But you know it’s strange, the same music that they kicked me out of school for is the same kind of music they play in their churches today. The difference is, I know I am playing for the devil and they don’t.”

AP

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